Diana Morzy
born 1997 in Warsaw, Poland. Based in between Warsaw and Tokyo
Education
Tokyo University of The Arts / Japan
2024 - 2026
Master of Fine Arts (MFA) in Visual Arts
Double Degree Program
Academy of Fine Arts Wroclaw / Poland
2024 - 2025
Master of Fine Arts (MFA) in Visual Arts
Double Degree Program
WIT Academy Warsaw / Poland
2017 - 2021
Bachelor of Arts (BA) in Graphic Design
Polish multidisciplinary artist working across painting, printmaking, and spatial practices. She graduated from the MFA Double Degree Program between the Academy of Fine Arts in Wroclaw, Poland, and Tokyo University of the Arts, where she completed her studies in the Printmaking Department. Her diploma project was presented at the 74th Graduation Exhibition at Tokyo University of the Arts, as well as at her home institution in Wroclaw in summer 2025.
She began her artistic education in Graphic Design at the WIT Academy in Warsaw. Driven by a desire to expand her artistic language beyond two dimensional formats, she continued her studies in Visual Arts at the Academy of Fine Arts in Wroclaw. During her studies, she developed her practice across painting, sculpture, and design, later deepening her focus in Tokyo, where she explored the intersection of painting and new technologies, including 3D printing.
Her practice delves into the introspection of the feminine psyche, navigating identity, fertility, and the body as a site of irregularity, imbalance, and disruption. Through symbolic objects and constructed environments, she explores states of transformation, fragmentation, and becoming, reflecting on existential instability. Central to her work is the concept of metaphor in space, where materials embody emotional and psychological conditions.
Her recent research engages with personal and cultural memory, emerging from her experience in Japan, where she encountered a profound respect for traditional craftsmanship. This awareness prompted a return to her own cultural roots, leading her to the Podlasie region of northeastern Poland, where linen once held a central place in domestic life. Through conversations with her grandparents, she accessed intergenerational knowledge of textile practices, shaped by the labor of women producing everyday fabrics. This process directly informs her material practice, where linen becomes a primary medium, carrying both personal and cultural significance.